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Sunday, December 29, 2013

Vintage Blue Ball Jars - Inspiration



We are about to renovate our kitchen and dining room. Although we are selecting new materials, it is my aim to keep the vintage farmhouse look that I love. Blue Ball jars are my inspiration for the new look. We plan to begin demolition on January 1st. We are hoping to be finished by the end of January. Hopefully there won't be many glitches to delay completion.

Saturday, December 14, 2013

Handmade Birding Journals

I keep a record of the birds that visit my gardens and feeders in a sketchbook journal. It becomes tedious to record the lists each day as the species of birds are quite consistent each season and especially day to day. Thinking it would be convenient to have a checklist, I created these small journals today.

 The covers are my own handmade gampi papers.


 The checklist was created in Microsoft Word, printed onto drawing paper, and sewn with single and double pamphlet style bindings.



 I plan to make additional journals as the seasons progress and will keep an eye out for a container in which these will fit. Or possibly construct a slipcase for them.

Saturday, September 28, 2013

Colorful Cotton Paper


It was great to finally get into the papermaking studio and make a few batches of paper this week. Here is a synopsis.

In early spring I used some RIT dye I had purchased at a tag sale to transform estate sale white cotton sheets into an array of colorful cloth.


Not having the time to turn all of this fabric into pulp, I chose the bottom batch (labeled scarlet but turned out to be more of salmon) and another white sheet to turn into pulp.











First I made ten sheets of salmon colored paper and embedded a piece of fabric into each one. The fabric was originally the trim design on a cotton sheet I got from my grandmother's linen closet. These sheets will serve as covers to journals.


Next I made white paper for the pages. Then I mixed the two pulps to create a range of pinks. Some of the pink reminded me of cotton candy. (Look at that deckle edge!)


Lastly I added some yellow pulp I had on hand to shift the color to a peach.










Saturday, September 21, 2013

Susan Ernst Featured Guild Member

Each month the Stratford Arts Guild conducts an interview with one of its members and publishes it in their newsletter. I am the featured artist for September. Here is my interview.

Featured Guild Member



Susan Ernst
Paper & Collage Artist
Susan Ernst's passion early on was for the beauty of the natural world. She earned an AAS degree in Ornamental Horticulture at the age of 21. She has been making paper from plants and reclaimed materials since 2003. Deciding to learn about fine art, she studied fine art at Southern Connecticut State University and earned a BS degree in Studio Art/Printmaking in 2011, at the age of 50.

Since 2012, Ernst has been studying with the Connecticut Natural Science Illustrators at the Yale Peabody Education Center. She has also been exhibiting and selling her art, handmade paper and journals and has recently begun offering classes, workshops and retreats.

--

SAG: First, let's talk about collage, which is to say, layered work you create from reclaimed papers. What is at the heart of a "good" collage, do you think,  and how do you know when a combination is working?
     
SE: I think working from the heart is the key to any successful piece of art. It is where I begin. For instance, in my Songbird Silhouettes Series, I used pages from old books on attracting birds, notes of various sorts that were written by my mother, grandmother, husband, and children, along with old ledger paper and other ephemera.

I have a reverence for old books, nature, family stories and the everyday items from the past that to me have historical value. I try to incorporate these into my work. The viewer may not see or understand the significance of these papers but they add a personal dimension to each piece.

SAG: Much of your work is about breaking things down (plants, old clothes, etc.) to remake them into a kind of blank canvas or new form. That part of the work is somewhat hidden from the final result, isn't it?
     
SE: I spend a significant amount of time making paper. Cutting up and beating old cotton or linen cloth as well as cooking, rinsing and beating plant fibers can take several hours to several days. It takes maybe an average of three hours to make 50 sheets of 8.5 x 11 paper. Add to that drying time. I do it because I enjoy the process. I find it rewarding to create something new from something that otherwise would have been thrown away.
 
SAG: It's plain to see you use the natural world in your work, such as birds and plants. Why is this motif so important to you?
     
SE:  I'm not sure. I grew up in a newly-built neighborhood in Queens where we had a small backyard with some grass and a few shrubs. Not much animal or bird life. I enjoyed visiting my grandparents, who lived upstate and my aunt and uncle who lived on Long Island, partly because there were blue jays, butterflies, hydrangeas, tomato plants, shade trees and more always around.

The natural world is something I've always been excited and passionate about. As an adult, nature continues to teach me life lessons and new wonders are discovered almost daily. For instance, there is a bird visiting my garden the past few days that I have not yet been able to positively identify. I find that exciting! 
     
SAG: We are an intensely digital world. How do people respond to the sale of handmade paper?
     
SE: They love how it feels and looks. Often they say they are afraid to use it because it is so lovely. And they find it fascinating that paper can be made from things other than trees. Learning that paper can be made from reclaimed materials such as cotton or linen cloth, or that it can be sustainably harvested from a number of plants, appeals as well.
 
SAG: You were a "late bloomer" in terms of art training (receiving your degree in studio art and printmaking at the age of 50). What happened?
     
SE: My situation was that I had no art classes at all until one class in middle school which I loved. So I had no exposure to art. I loved to draw and color and did paint-by-numbers as a child, but it was never viewed as anything more than child's play.

I did have an interest in interior design as a teenager and looked into studying that. I was strongly discouraged by the admissions counselor at a well known interior design school because I did not have an art portfolio and was told that it was a closed field open only to gay men. That was in 1979, can you believe that? I discovered that I could study Ornamental Horticulture so did that. My plan was to focus on landscape design, but after a class with a particularly terrible teacher (he wasn't hired back the next semester) who failed me, I decided to switch to nursery management instead.

These creative desires were satisfied as the years went by through decorating my apartments, then later my home and, finally, designing and planting gardens of my own. When I began seeing the artwork my children brought home from school, I realized I wanted to learn to do this stuff too. I began by taking classes at the Brookfield Craft Center, Housatonic Community College, Creative Arts Workshop (CAW) and then, formally, at Southern CT State University.

I still take classes at CAW as well as with the CT Natural Science Illustrators at the Peabody Museum Education Center in Orange. They will begin offering a certificate program in the spring which I plan to do. I must say that while at Housatonic, I received much encouragement from two professors. It is because of them that I had the confidence to further my degree by going to Southern. Encouragement makes a huge difference in the life of someone who is unsure of a path to follow, whether a child, young adult or even a "mature" adult.

    
SAG: Recently you've started hosting creativity workshops at your home studio. How have they been going?
 
SE: The response by attendees has been very positive. It is in promoting the events and finding a time of day that works for folks that is the difficult part.

SAG: Thanks Susan!
--
Ernst will be showing her work at the Autumn ARTS Festival in Killingsworth, October 12 & 13th, demonstrating how to make paper from cotton rags at Milford Historical Society's Yankee Pedlar Fair on October 19th, and she will be participating in artspace New Haven's City-Wide Open Studios at Alternative Space, Goffe Street Armory, October 26 & 27th.  You can follow Susan Ernst on Facebook.


Saturday, September 14, 2013

Practicing the Art of Being Fully Present

Note: This post also appears on my blog, Hortus Conclusus.

In July my husband and I stayed overnight in a luxurious bed and breakfast in Raleigh, NC. It is too bad we were there for only one night. It really is a place to go to spend a few relaxing days. After breakfast we walked around the gardens before heading on our way. I was reminded of our honeymoon. We drove up to Nova Scotia and stayed in bed and breakfasts and country inns. I found that to be a delightful experience. Since that time, which was 27 years ago, Bob and I often discussed owning a b&b in the country some day. Back home from the trip and tending to our gardens, I began thinking about how I could make that dream a reality today. No, it isn't practical to turn our tiny house into a b&b, but what could I do to invite people to enjoy the peace and beauty that I experience while spending time in my gardens?

I was also reading a book called An Altar in the World by Barbara Brown Taylor at this time. I found it extremely inspirational and life changing. Chapter Two, entitled The Practice of Paying Attention is what helped me to formulate the retreat.  (The seeds of which had already been planted last year while reading The Artist's Rule by Christine Valters Paintner, which is along a similar vein.)  I realized that I didn't need a fancy house and immaculate gardens in order to help others see and hear what I do when I am outside. If I love it, won't others as well? I took the chance and offered this one day retreat.
Yesterday, six wonderful women enjoyed their time here. They got to relax, reflect and spend some needed alone time. We did end the day with sharing. It was moving to hear what these women were able to experience from the assignments they were given and the time they spent alone in nature.

 I plan to hold this retreat on a monthly basis from May through September. The women encouraged me to add other themed retreats as they would like to participate again. Follow this link to view some of their comments here.

Tuesday, August 27, 2013

A Gift of Vintage Linen Dish Towels

I stated in the previous post that a woman came to the Artists and Artisans in Paradise Art Show specifically to meet me and give me the gift of these beautiful dish towels. She read in the newspaper article that I search estate sales for old cotton and linen fabrics to turn into paper. She acquired this collection of linen kitchen dish towels quite by accident. She explained to me how she and her husband would go to estate sales and auctions. One year they bought an old dresser at an auction. When they brought it home and opened it they found these towels in there. The woman said she hadn't used them and won't. She thought of me when she read the article and wanted to pass them on free to me if I was interested in them. "Was I ever!" I exclaimed. "But they are too beautiful to cut up and turn into paper. I will add them to my dish towel collection and use them in the kitchen" I told her. "As long as you want them, they are yours" she replied. Isn't that precious?

Look at these beauties. Note the dates on each of them.











Monday, August 26, 2013

First Annual Artists and Artisans in Paradise Show

Hosted by the Stratford Arts Guild, the first of what will be an annual show, Artists and Artisans in Paradise was a success! Well advertised and a gorgeous late summer day brought many people to Paradise Green, in Stratford, CT. It was nice to participate in an art show in my community and meet art lovers from my town.
 A few people came specifically to meet me and see my work based on an article in the Connecticut Post. I was quoted in the article along with a few other members of the Stratford Art Guild. One woman came to give me a stack of vintage linen dish towels. She had read in the article that I peruse estate sales for cotton sheets and linen tablecloths and dish towels to turn into pulp for papermaking. The dish towels she gave me  are too beautiful and full of history to be cut for paper. I have added them to my rather large vintage dish towel collection. That was an unexpected and delightful pleasure! Another woman came to see me because she liked the way I described my work in the article. (Abstract, yet representational and inspired by nature.)


Monday, August 12, 2013

Artists and Artisans in Paradise

The Stratford Arts Guild is hosting its first juried art and crafts show. It will be held on the town green which is named Paradise Green. Another event to promote Stratford and make this a community for art. Wish us good luck and a beautiful day!

Friday, August 9, 2013

Festival Stratford 2013 Part 3

Here are photos of the art/craft vendors set up. I did not take pictures of the individual booths.


Bob at my booth


Crowd who came to hear the 6 p.m. jazz performance.



 Midsummer Night's Dream stage. No photos were allowed to be taken during the performance.


Traffic control

 Note: Photos on Summer Photography Scavenger Hunt 2013 list in this post:
#1 Open air market
#2 Theater of Performing Arts
#15 Police car

Festival Stratford 2013 Part 1
Festival Stratford 2013 Part 2

Festival Stratford 2013 Part 2

Continuing from my previous post, here are a few more views on and from the American Shakespeare Festival Theatre property:

Housatonic River

 

 
 


artwork by John Tarka


 Note: Photos on Summer Photography Scavenger Hunt 2013 list in this post:
#4 An airplane (in the first photo)
#12 A cloud in the shape of something (specify) In the second photo, the thin, horizontal cloud reminds my of Michelangelo's painting of the finger of God touching the finger of Adam on the Sistine Chapel. Though it doesn't look like that, it is what it reminds me of.

Festival Stratford 2013 Part 1
Festival Stratford 2013 Part 3

Festival Stratford 2013 Part 1

Last weekend I had the pleasure of taking part in the first annual Arts Marketplace which took place during Festival Stratford's showing of A Midsummer Night's Dream, performed by Connecticut Free Shakespeare. As a way to draw attention to the cause of resurrecting the American Shakespeare Festival Theatre in Stratford, CT, this was the eighth year this event has taken place. It has gained in popularity and the organization is finding new ways to increase the draw. One such activity was adding the Arts Marketplace. There were ten art/craft vendors in total along with several food trucks and the local VFW selling mixed drinks and draft beer from Two Roads Brewing Company which is our newest town attraction.

I will add photos in several posts to keep this from being so long.

The setting is beautiful. The buildings are historical treasures. The Shakespeare Garden is taking shape once again. Here is a quick tour:

The Theatre

Sundial on Theatre


inside of Theatre

Theatre Museum

Katherine Hepburn often performed here


in the Lobby

A statue on the grounds

Shakespeare Garden



the White House where actors used to stay
Note: Photos on Summer Photography Scavenger Hunt 2013 list in this post:
# 2 - Theater for performing arts (1st photo)
#21 - Sundial (2nd photo)

Festival Stratford 2013 Part 2
Festival Stratford 2013 Part 3
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